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Janya raga · parent: 28. Harikambhoji

Nattai Kurinji

Also written or called: Natakurinji

Confidence: medium Last verified:

Scale

Derived from the printed scale: sampurna in both ascent and descent (7 notes up, 7 down); vakra (zigzag) in both directions; upanga (only notes of its parent).

Beginner's explanation

Nattai Kurinji is a janya raga : it is derived from the melakarta Harikambhoji (number 28), which means it takes its notes from that parent's scale. It uses only notes of its parent, so it is an Upanga raga.

Going up, its notes are S R2 G3 M1 N2 D2 N2 P D2 N2 S'; coming down, S' N2 D2 M1 G3 M1 P G3 R2 S. Its ascent and descent each use 7 different notes (Sampurna ). The path is Vakra (zigzag) in both directions: some notes are visited out of straight order.

If Sa is C on a keyboard, the notes it uses fall on C, D, E, F, G, A, B♭. This only shows where the notes sit: a raga is more than its notes, and its ornaments and phrases are not shown here.

A bit deeper

Its parent. Nattai Kurinji is placed under Harikambhoji (melakarta 28) by karnatik.com, the source for this page's parent. It uses all of the parent's notes.

Same notes, different raga. Balahamsa, Chayatarangini, Deshakshi, Guharanjani and Eeshamanohari use exactly the same set of notes as Nattai Kurinji but differ in the path, the ornaments or the phrases.

Why start here? How likely you are to meet it

●●○ (rating 2 of 3: 1 = met very often)

Rating 2 of 3 (editorial, a rough guide to how often you are likely to meet this raga): karnatik.com's tally of compositions per raga (based on a list of 38,000 songs) places it in the top 100, with 283 compositions. A 1 means met very often and 3 means met rarely. It says nothing about how hard the raga is to sing, which depends on its ornaments and is not rated here. The tally counts songs by raga name and dates from 2011.

Characteristic features

Key notes, characteristic phrases and ornaments are not recorded here yet: they could not be confirmed from two sources, and this site leaves them out rather than guess.

Where the notes sit

The twelve swarasthanas. Where two names share a row, they are the same pitch.
#Semitones above SaShort nameFull name
10SShadja
21R1Shuddha Rishabha
32R2 = G1Chatushruti Rishabha = Shuddha Gandhara
43R3 = G2Shatshruti Rishabha = Sadharana Gandhara
54G3Antara Gandhara
65M1Shuddha Madhyama
76M2Prati Madhyama
87PPanchama
98D1Shuddha Dhaivata
109D2 = N1Chatushruti Dhaivata = Shuddha Nishada
1110D3 = N2Shatshruti Dhaivata = Kaishiki Nishada
1211N3Kakali Nishada

Related ragas

Compare with another raga

Notable compositions (titles only)

Songs listed for this raga on karnatik.com by composers covered on this site. Lists are community-compiled, so a missing song does not mean it does not exist. Talas are as the source names them; no lyrics are reproduced.

Muthuswami Dikshitar

  • Parvatikumaram Rupaka·Sanskrit

Papanasam Sivan

  • Dharma Samvarttani Taye Adi·Tamil

Tyagaraja

  • Kuvalayadala Adi·Telugu
  • Manasu Vishaya Adi·Telugu
  • O Dhavaneshwara Adi·Telugu

How this was checked

  • Partly agree: Scale of Nattai Kurinji: ascent S R2 G3 M1 N2 D2 N2 P D2 N2 S'; descent S' N2 D2 M1 G3 M1 P G3 R2 S. Sources: Royal Carpet: Carnatic Ragas; List of Janya ragas. The two sources differ; see Variations & debates.
  • Sources agree: Nattai Kurinji is a janya of melakarta number 28, Harikambhoji. Sources: Royal Carpet: Carnatic Ragas; Royal Carpet: Introduction to Carnatic Raga (the melakarta ragas). Parent per karnatik.com. Consistency check: every note of the raga is in the parent's scale (the parent's own scale is confirmed in two sources).

References for this page

Type at least two letters. Try a raga name, a tala, or a word like "gamaka".