Janya raga · parent: 29. Dheerasankarabharanam
Mand
Confidence: medium Last verified:
Scale
Derived from the printed scale: audava in the ascent and sampurna in the descent (5 notes up, 7 down); varjya: R and N in the ascent; none in the descent; upanga (only notes of its parent).
Beginner's explanation
Mand is a janya raga : it is derived from the melakarta Dheerasankarabharanam (number 29), which means it takes its notes from that parent's scale. It uses only notes of its parent, so it is an Upanga raga.
Going up, its notes are S G3 M1 P D2 S'; coming down, S' N3 D2 P M1 G3 R2 S. Its ascent uses 5 different notes and its descent 7. Notes of the parent that it leaves out are Varjya : R and N going up, none coming down.
If Sa is C on a keyboard, the notes it uses fall on C, D, E, F, G, A, B. This only shows where the notes sit: a raga is more than its notes, and its ornaments and phrases are not shown here.
A bit deeper
Its parent. Mand is placed under Dheerasankarabharanam (melakarta 29) by karnatik.com, the source for this page's parent. It uses all of the parent's notes.
Same notes, different raga. Kannada, Arabhi, Atana, Behag and Bilahari use exactly the same set of notes as Mand but differ in the path, the ornaments or the phrases.
Why start here? How likely you are to meet it
●●○ (rating 2 of 3: 1 = met very often)
Rating 2 of 3 (editorial, a rough guide to how often you are likely to meet this raga): karnatik.com's tally of compositions per raga (based on a list of 38,000 songs) places it in the top 100, with 124 compositions. A 1 means met very often and 3 means met rarely. It says nothing about how hard the raga is to sing, which depends on its ornaments and is not rated here. The tally counts songs by raga name and dates from 2011.
Characteristic features
Key notes, characteristic phrases and ornaments are not recorded here yet: they could not be confirmed from two sources, and this site leaves them out rather than guess.
Where the notes sit
| # | Semitones above Sa | Short name | Full name |
|---|---|---|---|
| 1 | 0 | S | Shadja |
| 2 | 1 | R1 | Shuddha Rishabha |
| 3 | 2 | R2 = G1 | Chatushruti Rishabha = Shuddha Gandhara |
| 4 | 3 | R3 = G2 | Shatshruti Rishabha = Sadharana Gandhara |
| 5 | 4 | G3 | Antara Gandhara |
| 6 | 5 | M1 | Shuddha Madhyama |
| 7 | 6 | M2 | Prati Madhyama |
| 8 | 7 | P | Panchama |
| 9 | 8 | D1 | Shuddha Dhaivata |
| 10 | 9 | D2 = N1 | Chatushruti Dhaivata = Shuddha Nishada |
| 11 | 10 | D3 = N2 | Shatshruti Dhaivata = Kaishiki Nishada |
| 12 | 11 | N3 | Kakali Nishada |
Related ragas
Notable compositions (titles only)
Songs listed for this raga on karnatik.com by composers covered on this site. Lists are community-compiled, so a missing song does not mean it does not exist. Talas are as the source names them; no lyrics are reproduced.
Papanasam Sivan
- Desha Sevai Adi·Tamil
- Jaya Vijayibhava Tamil
- Nama Bhajare Tamil
- Ramanai Bhajittal Adi·Tamil
- Yamuna Tire Adi·Tamil
How this was checked
- Sources agree: Scale of Mand: ascent S G3 M1 P D2 S'; descent S' N3 D2 P M1 G3 R2 S. Sources: Royal Carpet: Carnatic Ragas. Only one source printed this scale (no match found in the second source), so it is not independently confirmed.
- Sources agree: Mand is a janya of melakarta number 29, Dheerasankarabharanam. Sources: Royal Carpet: Carnatic Ragas; Royal Carpet: Introduction to Carnatic Raga (the melakarta ragas). Parent per karnatik.com. Consistency check: every note of the raga is in the parent's scale (the parent's own scale is confirmed in two sources).
References for this page
- Royal Carpet: Carnatic Ragas — karnATik · website · intermediate · free why useful
- Royal Carpet: Introduction to Carnatic Raga (the melakarta ragas) — karnATik · website · beginner · free why useful
- Popular ragas by number of songs — karnATik · website · beginner · free why useful