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Janya raga · parent: 18. Hatakambari

Hamsanantini

Confidence: high Last verified:

Scale

Derived from the printed scale: 4-note in the ascent and audava in the descent (4 notes up, 5 down); varjya: R, D and N in the ascent; D and N in the descent; upanga (only notes of its parent).

Beginner's explanation

Hamsanantini is a janya raga : it is derived from the melakarta Hatakambari (number 18), which means it takes its notes from that parent's scale. It uses only notes of its parent, so it is an Upanga raga.

Going up, its notes are S G3 M1 P S'; coming down, S' P M1 G3 R1 S. Its ascent uses 4 different notes and its descent 5. Notes of the parent that it leaves out are Varjya : R, D and N going up, D and N coming down.

If Sa is C on a keyboard, the notes it uses fall on C, D♭, E, F, G. This only shows where the notes sit: a raga is more than its notes, and its ornaments and phrases are not shown here.

A bit deeper

Its parent. Hamsanantini is placed under Hatakambari (melakarta 18) by karnatik.com, the source for this page's parent. Of the parent's seven notes it does not use D3 and N3.

Other possible parents. Because Hamsanantini leaves out some notes, 6 melakartas contain every one of its notes (Gayakapriya, Vakulabharanam, Mayamalavagowla, Chakravakam, Suryakantam and Hatakambari). Books usually pick one by convention, and different books can pick differently.

Why start here? How likely you are to meet it

●●● (rating 3 of 3: 1 = met very often)

Rating 3 of 3 (editorial, a rough guide to how often you are likely to meet this raga): it is not among the top 100 ragas in karnatik.com's tally of compositions per raga (based on a list of 38,000 songs), so a beginner will meet it less often. A 1 means met very often and 3 means met rarely. It says nothing about how hard the raga is to sing, which depends on its ornaments and is not rated here. The tally counts songs by raga name and dates from 2011.

Characteristic features

Key notes, characteristic phrases and ornaments are not recorded here yet: they could not be confirmed from two sources, and this site leaves them out rather than guess.

Where the notes sit

The twelve swarasthanas. Where two names share a row, they are the same pitch.
#Semitones above SaShort nameFull name
10SShadja
21R1Shuddha Rishabha
32R2 = G1Chatushruti Rishabha = Shuddha Gandhara
43R3 = G2Shatshruti Rishabha = Sadharana Gandhara
54G3Antara Gandhara
65M1Shuddha Madhyama
76M2Prati Madhyama
87PPanchama
98D1Shuddha Dhaivata
109D2 = N1Chatushruti Dhaivata = Shuddha Nishada
1110D3 = N2Shatshruti Dhaivata = Kaishiki Nishada
1211N3Kakali Nishada

Related ragas

Compare with another raga

Notable compositions (titles only)

No compositions by composers covered on this site are listed yet.

How this was checked

  • Sources agree: Scale of Hamsanantini: ascent S G3 M1 P S'; descent S' P M1 G3 R1 S. Sources: Royal Carpet: Carnatic Ragas; List of Janya ragas. The ascent and descent printed by karnatik.com match the scale in Wikipedia's table.
  • Sources agree: Hamsanantini is a janya of melakarta number 18, Hatakambari. Sources: Royal Carpet: Carnatic Ragas; Royal Carpet: Introduction to Carnatic Raga (the melakarta ragas). Parent per karnatik.com. Consistency check: every note of the raga is in the parent's scale (the parent's own scale is confirmed in two sources).

References for this page

Type at least two letters. Try a raga name, a tala, or a word like "gamaka".