Module 6: Musical forms · Lesson 4
Improvised forms
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Music made on the spot
The most prized parts of a concert are not composed. They are created by the performer in the moment. This is Manodharma , “the music of one’s own mind”, and it follows strict rules, the rules of the raga and the tala. Here are the main forms.
Alapana
The Alapana is a slow exploration of a raga. There is no fixed beat and no composed words: the performer introduces the raga phrase by phrase, usually starting low and moving upwards. It shows how well the performer understands the raga’s character, and it prepares the listener for the song that follows.
Tanam
The Tanam comes after the alapana. It explores the raga with a flowing pulse, using syllables such as “a-nam-ta-nam”. It is usually sung at a medium speed and, in general, without a fixed tala or the drum.
Pallavi, niraval and kalpanaswara
A Pallavi in this context is a single line of a composition, set to one or more cycles of a tala. It is explored in several ways:
- Niraval : improvising new melodies on the line, over and over, while keeping its words and rhythm;
- Kalpanaswara : improvised sequences of note names, sung in the tala.
The pallavi line has two halves. The point where the first half ends is called the Arudhi .
Ragam-Tanam-Pallavi
The three parts together form the most extended concert item, the Ragam-Tanam-Pallavi : an alapana, then tanam, then the pallavi with its variations. Modern performers sometimes use pallavis that pass through several ragas.
Tani avartanam
The Tani avartanam is the percussion solo. After the main item, the drummers play patterns in the tala, taking turns and answering one another, and then the melody returns.
Why this matters for listening
If you can tell the parts apart, the structure of a long item becomes clear: slow and free (alapana), pulsing (tanam), then locked into the cycle (pallavi, niraval and swaras), and finally the drum solo. The next lesson shows how these fit into a complete concert.
References for this page
- Ragam Tanam Pallavi — Wikipedia contributors · article · intermediate · free why useful
- Fun with Carnatic music : A Primer on Pallavi Singing — Vidya Subramanian · video · intermediate · free why useful
- Appreciating Carnatic Music — Prof. Lakshmi Sreeram · course · beginner · free why useful
- Carnatic Music: The National Institute of Open Schooling (NIOS) — National Institute of Open Schooling · course · beginner · free why useful
- Pocket guide to Carnatic music: The kutcheri — V Ramnarayan · article · beginner · free why useful
- Performance Format for Carnatic Concerts: sections of a Kutcheri — Darbar · article · beginner · free why useful